1 month ago
The Venice Film Festival may revolve around cinema, but fashion has become an essential part of its annual spectacle. The 2026 edition once again transformed the Lido into a showcase for couture, sharp tailoring and unexpected styling. Stars moved between timeless black gowns, shimmering embellishments, relaxed suits and bursts of bright color. Some relied on archival fashion, while others arrived in custom creations designed specifically for the occasion. Together, Maggie Gyllenhaal, Amal Clooney, Rooney and Kate Mara, Robert Pattinson, Suki Waterhouse and Pamela Anderson demonstrated just how varied festival dressing can be.
Jury president Maggie Gyllenhaal established a sophisticated tone with several dramatic black looks. For the opening, she selected an all black Celine ensemble featuring an off the shoulder twisted bodice. Another memorable appearance came in archival Armani Privé from the Fall 2015 collection. Rich velvet, sharply sculpted shoulders and crystal detailing around the plunging neckline gave the older design a fresh presence on the carpet.
Amal Clooney also embraced black with a custom Tom Ford creation by Haider Ackermann. Her appearance demonstrated the continuing appeal of streamlined eveningwear, with careful construction and texture doing much of the visual work. Rather than competing with the surroundings through excessive decoration, the gown relied on an elegant silhouette and refined details.
Sisters Rooney and Kate Mara offered two very different interpretations of evening glamour while promoting Bucking Fastard. Rooney remained close to her famously minimalist aesthetic in a black satin Louis Vuitton dress. A sleek fitted upper section expanded dramatically near the hem through gathers and voluminous fabric. Kate moved in the opposite direction with Armani Privé, choosing a black and white gown featuring a sparkling skirt and pearl embellished bodice.
Menswear also provided a change of pace. Robert Pattinson appeared in a relaxed white pinstripe suit while promoting Primetime, pairing it with a crisp shirt and striped tie. The slightly oversized proportions gave traditional tailoring a lighter feeling suited to Venice. Suki Waterhouse accompanied him in a pale green Saint Laurent lace two piece, bringing a softer color and delicate texture to the event.
#black #gyllenhaal #clooney #mara
Jury president Maggie Gyllenhaal established a sophisticated tone with several dramatic black looks. For the opening, she selected an all black Celine ensemble featuring an off the shoulder twisted bodice. Another memorable appearance came in archival Armani Privé from the Fall 2015 collection. Rich velvet, sharply sculpted shoulders and crystal detailing around the plunging neckline gave the older design a fresh presence on the carpet.
Amal Clooney also embraced black with a custom Tom Ford creation by Haider Ackermann. Her appearance demonstrated the continuing appeal of streamlined eveningwear, with careful construction and texture doing much of the visual work. Rather than competing with the surroundings through excessive decoration, the gown relied on an elegant silhouette and refined details.
Sisters Rooney and Kate Mara offered two very different interpretations of evening glamour while promoting Bucking Fastard. Rooney remained close to her famously minimalist aesthetic in a black satin Louis Vuitton dress. A sleek fitted upper section expanded dramatically near the hem through gathers and voluminous fabric. Kate moved in the opposite direction with Armani Privé, choosing a black and white gown featuring a sparkling skirt and pearl embellished bodice.
Menswear also provided a change of pace. Robert Pattinson appeared in a relaxed white pinstripe suit while promoting Primetime, pairing it with a crisp shirt and striped tie. The slightly oversized proportions gave traditional tailoring a lighter feeling suited to Venice. Suki Waterhouse accompanied him in a pale green Saint Laurent lace two piece, bringing a softer color and delicate texture to the event.
#black #gyllenhaal #clooney #mara
2 months ago
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2 months ago
Bob Mackie, who designed dazzling costumes for stars including Cher, Tina Turner, Dolly Parton and Elton John has died, aged 87.
The US fashion designer, known as the "Sultan of Sequins" for his sparkling creations, won a Tony Award, nine Emmys and received three Oscar nominations during his career.
"It is with a heavy heart that we share the news that Mr Bob Mackie passed away today," a statement on his Instagram account announced on Monday.
"He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do," it added. "His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
From Marilyn Monroe to Sabrina Carpenter - Bob Mackie's designs in pictures
#designer #designs #dolly #elton
The US fashion designer, known as the "Sultan of Sequins" for his sparkling creations, won a Tony Award, nine Emmys and received three Oscar nominations during his career.
"It is with a heavy heart that we share the news that Mr Bob Mackie passed away today," a statement on his Instagram account announced on Monday.
"He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do," it added. "His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
From Marilyn Monroe to Sabrina Carpenter - Bob Mackie's designs in pictures
#designer #designs #dolly #elton
2 months ago
The fashion and costume designer Bob Mackie, whose glittering creations have been worn by Cher, Dolly Parton, Tina Turner and Miley Cyrus, has died at age 87, according to his social accounts.
"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do," read a post on his Instagram account. "His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
Mackie became known for his glamorous designs after collaborating with Cher, dressing her on television and on tour. He also served as the costume designer for "The Carol Burnett Show," responsible for Burnett's entire wardrobe. Nicknamed the Sultan of Sequins, the Rajah of Rhinestones and the Guru of Glitter, Mackie's ostentatious, flattering looks became instantly recognizable over the course of his career. His popularity continued into the modern day, with his archive coveted by a new generation of stars.
For his stage and screen work, Mackie has been awarded nine Emmys, an induction into the Television Academy Hall of Fame and three Academy Award nominations. In 1999, he received a retrospective at the Museum at FIT. More recently, he won a Tony Award for the musical "The Cher Show" and a lifetime achievement award by the Council of Fashion Designers of America.
Fern Mallis, former executive director of CFDA and founder of New York Fashion Week, credited him with many of the red carpet trends we continue to see today.
#costume #show #academy #television
"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do," read a post on his Instagram account. "His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
Mackie became known for his glamorous designs after collaborating with Cher, dressing her on television and on tour. He also served as the costume designer for "The Carol Burnett Show," responsible for Burnett's entire wardrobe. Nicknamed the Sultan of Sequins, the Rajah of Rhinestones and the Guru of Glitter, Mackie's ostentatious, flattering looks became instantly recognizable over the course of his career. His popularity continued into the modern day, with his archive coveted by a new generation of stars.
For his stage and screen work, Mackie has been awarded nine Emmys, an induction into the Television Academy Hall of Fame and three Academy Award nominations. In 1999, he received a retrospective at the Museum at FIT. More recently, he won a Tony Award for the musical "The Cher Show" and a lifetime achievement award by the Council of Fashion Designers of America.
Fern Mallis, former executive director of CFDA and founder of New York Fashion Week, credited him with many of the red carpet trends we continue to see today.
#costume #show #academy #television
2 months ago
Bob Mackie, the legendary designer, is dead. A statement shared to social media broke the news.
Mackie notably created designs for Cher, Miley Cyrus, and more.
He was 87 at the time of his death.
Bob Mackie, the designer whose glittering, extravagant creations helped define the look of some of the 20th century's biggest stars, has died at 87. His death was announced Monday, September 14, in a statement shared on his social media accounts. A cause of death has not yet been revealed.
"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today," the post read of the designer, who was born on March 24, 1939, in Monterey Park, California. "He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
#death #Media #cher
Mackie notably created designs for Cher, Miley Cyrus, and more.
He was 87 at the time of his death.
Bob Mackie, the designer whose glittering, extravagant creations helped define the look of some of the 20th century's biggest stars, has died at 87. His death was announced Monday, September 14, in a statement shared on his social media accounts. A cause of death has not yet been revealed.
"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today," the post read of the designer, who was born on March 24, 1939, in Monterey Park, California. "He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
#death #Media #cher
2 months ago
Bob Mackie, the Emmy- and Tony-winning fashion and costume designer whose glittering creations helped define the images of Cher, Carol Burnett, Diana Ross and countless other entertainers, died Sept. 14, 2026, at age 87.
In a statement posted by his team, Mackie's representatives said he "lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer." Widely regarded as one of the most influential costume designers in entertainment history, Mackie left an indelible mark on television, music, Broadway and American pop culture.
Though celebrated worldwide, Mackie's story was deeply rooted in California.
Raised in Southern California, Mackie attended Chouinard Art School before launching his career in Hollywood. He began as a sketch artist at Paramount Pictures and later worked under legendary costume designer Edith Head, helping shape the golden era of studio filmmaking.
In recent years, Mackie made Palm Springs his home, moving to the desert in 2020. He became a familiar figure in the Coachella Valley arts community, participating in book signings, film festival events, and local cultural fundraisers.
#costume
In a statement posted by his team, Mackie's representatives said he "lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer." Widely regarded as one of the most influential costume designers in entertainment history, Mackie left an indelible mark on television, music, Broadway and American pop culture.
Though celebrated worldwide, Mackie's story was deeply rooted in California.
Raised in Southern California, Mackie attended Chouinard Art School before launching his career in Hollywood. He began as a sketch artist at Paramount Pictures and later worked under legendary costume designer Edith Head, helping shape the golden era of studio filmmaking.
In recent years, Mackie made Palm Springs his home, moving to the desert in 2020. He became a familiar figure in the Coachella Valley arts community, participating in book signings, film festival events, and local cultural fundraisers.
#costume
2 months ago
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Kristen Stewart has spent much of her life in front of cameras, yet fame has never made performing feel completely ordinary to her. Acting requires someone to become another person while an audience watches, an experience Stewart has described as inherently strange. Public appearances can bring a similar sense of discomfort, but one area where she has developed a distinctive identity is fashion. Rather than treating clothes as a carefully calculated part of celebrity life, Stewart prefers to trust her instincts. That approach has helped make her style recognizable both on the red carpet and on screen.
Stewart's relationship with fashion has also been shaped by her long ****** ociation with Chanel. Although glamorous gowns and designer looks frequently accompany major premieres and events, she does not believe every outfit needs to be worn simply because it appears fashionable. If something feels wrong, she would rather change direction. For Stewart, discomfort can become visible, so confidence comes from choosing clothing that feels authentic. Her willingness to mix elegance with a more relaxed personal style has become part of her public image.
That philosophy took on a different meaning when Stewart played Princess Diana in Pablo Larraín's 2021 film Spencer. The movie imagines Diana during a tense Christmas gathering with the British royal family as she struggles with her marriage and the expectations surrounding her position. Stewart found that the costumes were far more than beautiful recreations of royal fashion. They helped establish the emotional reality of the character and provided another way to understand the pressure Diana experienced.
Stewart described Diana's clothing as capable of communicating dramatically different emotions. At certain moments, an outfit could feel restrictive, almost like a form of confinement. At others, the same world of carefully chosen clothing could provide confidence and strength. Through research, Stewart noticed how Diana's personality could remain visible even when she appeared uncomfortable with what she was wearing. Instead of disappearing beneath the clothes, Diana could project an unmistakable energy through them. That observation became useful for Stewart as she searched for a believable interpretation rather than simply attempting an imitation.
Stewart and Diana both experienced extraordinary levels of public attention, but Stewart has resisted easy comparisons between their lives. What connects them more meaningfully in Spencer is the importance of individuality under intense scrutiny. For Stewart, clothing became one of several tools for exploring that conflict. Her instinctive approach to personal fashion may reject anything that feels unnatural, but acting sometimes requires exactly the opposite. An uncomfortable costume can reveal something essential about a character, turning fashion from decoration into a powerful part of storytelling.
#stewart #spencer
Stewart's relationship with fashion has also been shaped by her long ****** ociation with Chanel. Although glamorous gowns and designer looks frequently accompany major premieres and events, she does not believe every outfit needs to be worn simply because it appears fashionable. If something feels wrong, she would rather change direction. For Stewart, discomfort can become visible, so confidence comes from choosing clothing that feels authentic. Her willingness to mix elegance with a more relaxed personal style has become part of her public image.
That philosophy took on a different meaning when Stewart played Princess Diana in Pablo Larraín's 2021 film Spencer. The movie imagines Diana during a tense Christmas gathering with the British royal family as she struggles with her marriage and the expectations surrounding her position. Stewart found that the costumes were far more than beautiful recreations of royal fashion. They helped establish the emotional reality of the character and provided another way to understand the pressure Diana experienced.
Stewart described Diana's clothing as capable of communicating dramatically different emotions. At certain moments, an outfit could feel restrictive, almost like a form of confinement. At others, the same world of carefully chosen clothing could provide confidence and strength. Through research, Stewart noticed how Diana's personality could remain visible even when she appeared uncomfortable with what she was wearing. Instead of disappearing beneath the clothes, Diana could project an unmistakable energy through them. That observation became useful for Stewart as she searched for a believable interpretation rather than simply attempting an imitation.
Stewart and Diana both experienced extraordinary levels of public attention, but Stewart has resisted easy comparisons between their lives. What connects them more meaningfully in Spencer is the importance of individuality under intense scrutiny. For Stewart, clothing became one of several tools for exploring that conflict. Her instinctive approach to personal fashion may reject anything that feels unnatural, but acting sometimes requires exactly the opposite. An uncomfortable costume can reveal something essential about a character, turning fashion from decoration into a powerful part of storytelling.
#stewart #spencer
2 months ago
Julia Fox has become a fashion week fixture, attending many shows in support of a range of designers through the years, and even walking on a handful of runways. She's a regular supporter of Marc Jacobs, and has on several occasions embraced his out-of-the-box footwear creations, from sculptural platforms to elongated pumps. Below, find these shoe moments and more wild footwear looks from Fox's past fashion month looks.
More from WWD
Dr. Martens Beefs Up Global Product Team, Hiring Talent From Marc Jacobs, Adidas
Public School to Launch First Ad Campaign in Nine Years
EBay to Unveil Endless Runway: The Archive, a Retrospective and Auction
#julia #martens
More from WWD
Dr. Martens Beefs Up Global Product Team, Hiring Talent From Marc Jacobs, Adidas
Public School to Launch First Ad Campaign in Nine Years
EBay to Unveil Endless Runway: The Archive, a Retrospective and Auction
#julia #martens
2 months ago
Claudia Sulewski didn't settle for one spectacular wedding dress when she married Finneas O'Connell. She had an entire bridal wardrobe.
The 30-year-old actress, content creator and Cyklar beauty founder married Billie Eilish's older brother Finneas, 29, in a romantic outdoor ceremony in Montecito, California, on Saturday, August 29, following eight years together.
Claudia began her wedding weekend in an understated satin gown (@ Instagram)
And while the couple's nuptials attracted an impressively star-studded guest list, including Hailey and Justin Bieber, Nina Dobrev, Kristen Bell, Dax Shepard and Emma Chamberlain, Claudia's four custom Oscar de la Renta creations provided plenty of fashion drama of their own.
The bride worked with the legendary American fashion house on a different outfit for each stage of her celebrations: the rehearsal dinner, ceremony, first dance and reception, and after-party.
#billie
The 30-year-old actress, content creator and Cyklar beauty founder married Billie Eilish's older brother Finneas, 29, in a romantic outdoor ceremony in Montecito, California, on Saturday, August 29, following eight years together.
Claudia began her wedding weekend in an understated satin gown (@ Instagram)
And while the couple's nuptials attracted an impressively star-studded guest list, including Hailey and Justin Bieber, Nina Dobrev, Kristen Bell, Dax Shepard and Emma Chamberlain, Claudia's four custom Oscar de la Renta creations provided plenty of fashion drama of their own.
The bride worked with the legendary American fashion house on a different outfit for each stage of her celebrations: the rehearsal dinner, ceremony, first dance and reception, and after-party.
#billie
2 months ago
Once a formidable force in fashion media, Vogue Arabia no longer commands the attention it once did (especially here on theFashionSpot). The last time the ***** le (which arrived with much fanfare and the help of Gigi Hadid in early 2017) truly commanded our attention was a whole six months ago, when Lindsay Lohan was welcomed as a cover girl. Manuel Arnaut, who has served as Vogue Arabia's figurehead since May 2017, invites none other than Cardi B as a cover girl, who features on the September 2026 edition of the magazine. The chart-topping American rapper receives the full Vogue cover treatment for the occasion, posing for the photographer Szilveszter Makó. Across a trio of cover offerings, the Grammy Award-winning talent showcases creations from Rahul Mishra, Georges Hobeika, Loewe and Alaïa.
IMAGE | VOGUEARABIA.COM
"I didn't expect it, but I kinda like this 'short-lived marriage to a minor royal' mood," immediately approved tigerrouge upon first look.
"I am not a fan of Cardi B, but she looks beautiful in this photo shoot. The cover with the black evening dress is divine," MModa confessed.
"Y'all, this might be my favorite September issue this year. Solid cover, great editorial, and unexpected fashion with a capital 'F'," enthused Lucien112.
#vogue #once #arabia
IMAGE | VOGUEARABIA.COM
"I didn't expect it, but I kinda like this 'short-lived marriage to a minor royal' mood," immediately approved tigerrouge upon first look.
"I am not a fan of Cardi B, but she looks beautiful in this photo shoot. The cover with the black evening dress is divine," MModa confessed.
"Y'all, this might be my favorite September issue this year. Solid cover, great editorial, and unexpected fashion with a capital 'F'," enthused Lucien112.
#vogue #once #arabia
3 months ago
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3 months ago
The start of the new Premier League season brings with it fresh threads across the top flight, and as ever there is an ******* ortment of offerings.
Some are magnificent pieces of design, sartorial artworks which will be admired for years to come. Others are deeply misguided creations which should not have seen the light of day.
Here, we run the rule over this season's home and away editions. From worst to best, here are the Premier League 2026/27 kits, ranked and rated:
The barcode effect is going to damage retinas. Newcastle's home shirt should just be simple, uniform black and white stripes – there was no need to get tricky.
(Newcastle United)
#home #season
Some are magnificent pieces of design, sartorial artworks which will be admired for years to come. Others are deeply misguided creations which should not have seen the light of day.
Here, we run the rule over this season's home and away editions. From worst to best, here are the Premier League 2026/27 kits, ranked and rated:
The barcode effect is going to damage retinas. Newcastle's home shirt should just be simple, uniform black and white stripes – there was no need to get tricky.
(Newcastle United)
#home #season
3 months ago
3 months ago
3 months ago
Stars are just like us—in that they also love McDonald's. You might think it's all private chef creations and healthy meals for A-listers, but really, they're pulling into the Golden Arches drive-thru just as often as the rest of us.
Mark Ruffalo once ate a Quarter Pounder with Cheese, no onions, every other day for weeks while filming a movie. Adele says her death row meal would be Chicken McNuggets, a Big Mac, and fries—despite the fact that she eats this exact combo "at least once a week." Even Tina Fey once walked down the side of a highway in Italy just to get a McFlurry.
So it's no surprise that WWE icon and actor John Cena is also a fan of a regular McDonald's run. What is surprising, though, is exactly what he orders—and just how much of it.
Take one look at John Cena, and you can probably guess he has a pretty serious appetite. Between his years as a WWE superstar, his action movie career, and his famously intense fitness routine, the guy has to eat. But even knowing all that, his McDonald's order is still more impressive than we expected.
In an interview with Today, Cena revealed that his go-to order is two double cheeseburgers and two six-piece orders of Chicken McNuggets, for a total of 12 nuggets. In an even more recent interview with Delish, that number rose to 18 nuggets. That's enough nuggets to turn both cheeseburgers into "Crunchy Doubles"—the fan-favorite menu hack where you stuff McNuggets into your burger—and still have a six-pack left over.
#once #nuggets #orders #order
Mark Ruffalo once ate a Quarter Pounder with Cheese, no onions, every other day for weeks while filming a movie. Adele says her death row meal would be Chicken McNuggets, a Big Mac, and fries—despite the fact that she eats this exact combo "at least once a week." Even Tina Fey once walked down the side of a highway in Italy just to get a McFlurry.
So it's no surprise that WWE icon and actor John Cena is also a fan of a regular McDonald's run. What is surprising, though, is exactly what he orders—and just how much of it.
Take one look at John Cena, and you can probably guess he has a pretty serious appetite. Between his years as a WWE superstar, his action movie career, and his famously intense fitness routine, the guy has to eat. But even knowing all that, his McDonald's order is still more impressive than we expected.
In an interview with Today, Cena revealed that his go-to order is two double cheeseburgers and two six-piece orders of Chicken McNuggets, for a total of 12 nuggets. In an even more recent interview with Delish, that number rose to 18 nuggets. That's enough nuggets to turn both cheeseburgers into "Crunchy Doubles"—the fan-favorite menu hack where you stuff McNuggets into your burger—and still have a six-pack left over.
#once #nuggets #orders #order
3 months ago
The sale of the unwanted cement sculptures from Alan Carr's castle in the Scottish Borders meant more to Clare Stephens than most.
Some of her fondest memories are of visiting the creations at their original home in Branxton in Northumberland.
That is because her grandfather, James "Pim" Beveridge, helped his boss John Fairnington to make them for his disabled son Edwin.
And, although she was unable to secure any of them at auction, Clare said her family had been proud of the level of interest they attracted when they were sold earlier this summer.
Family photos capture Beveridge with some of the creatures he helped to create [James and Christina Beveridge]
#clare #helped #scottish #branxton
Some of her fondest memories are of visiting the creations at their original home in Branxton in Northumberland.
That is because her grandfather, James "Pim" Beveridge, helped his boss John Fairnington to make them for his disabled son Edwin.
And, although she was unable to secure any of them at auction, Clare said her family had been proud of the level of interest they attracted when they were sold earlier this summer.
Family photos capture Beveridge with some of the creatures he helped to create [James and Christina Beveridge]
#clare #helped #scottish #branxton
