Princess Diana remains one of the most influential royal style figures decades after her death. From glamorous evening gowns to casual sweatshirts, her clothes attracted enormous attention and often carried meanings that went far beyond fashion. Few pieces illustrate that fascination better than her famous red Black Sheep sweater, featuring rows of white sheep and a single black one standing apart from the flock.
Diana first wore the Warm & Wonderful sweater in 1981, shortly after her engagement to Prince Charles. The playful design quickly attracted attention, particularly because the lone black sheep invited interpretations about Diana's own position within royal life. Those interpretations remain speculative, but there is clear evidence that she valued the garment. After the original sweater was damaged, Buckingham Palace contacted the designers seeking a repair or replacement. Diana later appeared publicly in the replacement.
Years later, the original sweater was rediscovered and offered at auction through Sotheby's in 2023. Before the sale, it carried an estimate of $50,000 to $80,000. Its significance came from more than Diana simply having worn it. The accompanying correspondence helped establish its history, while photographs of Diana wearing the distinctive design made it instantly recognizable to collectors and royal fashion enthusiasts.
The final result dramatically exceeded expectations. The sweater sold for $1.143 million, including fees, setting a record at the time for an item of clothing worn by Diana at auction. The price also demonstrated how dramatically demand for objects connected with the princess had grown. Other pieces from her wardrobe had already achieved impressive results, including a purple Victor Edelstein evening gown that sold for more than $600,000 earlier in 2023.
Diana's wardrobe continues to attract this level of interest because her clothing became closely connected with her public identity. Early in her royal life, she embraced romantic dresses and traditional silhouettes. Over time, her wardrobe became increasingly confident, incorporating streamlined tailoring, memorable eveningwear and relaxed casual pieces.

#pieces #princess #evening #casual

The relationship between Hollywood and luxury fashion continues to evolve, as brands increasingly look beyond traditional celebrity endorsements to build deeper, more strategic partnerships with talent.
"It's not about one-offs anymore," said Joseph Thornton-Allan, who co-leads fashion brand partnerships at William Morris Endeavor, helping connect talent with fashion houses and shaping the partnerships that define their careers. "It genuinely is about relationships. So many of my clients have genuine, authentic relationships with designers, and they've been with them for years and years."
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#fashion #talent #thornton

In the three decades since red carpets have become synonymous with Hollywood couture, celebrity stylists have outpaced fashion editors, models, moguls and, more recently, content creators as the true arbiters of the town's taste. No one else has the number of media impressions that top Hollywood stylists do, with many of them pulling in millions of followers. Of course, Beyoncé, Rihanna and Taylor Swift have 500 million-plus Instagram fans each, but much of the engagement is driven by what their stylists are putting on their backs.
That's why, as this year winds down, THR reached out to the many pros who've now achieved fame in their own right for dressing the most visible personages in the world. What did we learn? The newish Parisian design duo behind Matières Fécales — Hannah Rose Dalton and Steven Raj Bhaskaran — have captured stylists' hearts the most, while Matthieu Blazy's Chanel, Jonathan Anderson's Dior and Anthony Vaccarello's Saint Laurent also number among Hollywood's favorite designers. Feathers still are flying on red carpet fits for all genders. The sheer look continues to show off, but cutouts and two-piece looks are taking over the body-part wars. Lace, lingerie and leather are now completely red carpet-worthy. Slinky close fits and strong tailoring are forever. And so, apparently, is fashion's idolization of Zendaya. We could have easily included three or more of her looks, but to keep the list varied and fun, we chose only one top fit per actor or actress. The methodology behind the list included tabulating the top 10 looks chosen by 50-plus stylists, prioritizing by the number of votes each look received, and then, to break ties, bringing in rankings. The result: a realistic look at coming trends and which designers and designs rank the highest for Hollywood, by the world's top tastemakers.
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#hollywood #stylists #look #plus

Adriana La Cerva in The Sopranos. Ginger McKenna in Casino. Sofía Vergara's Griselda Blanco. For decades, the mob wife has been the archetypal anti-heroine – all fur, animal print and knee-high boots. Now Catherine Zeta-Jones has joined the ranks.
Shedding the gothic lace and American drawl of Morticia Addams in Netflix's Wednesday, Swansea-born Zeta-Jones is using her real Welsh accent on screen for the first time in Prime Video's revenge thriller Kill Jackie. She plays Jackie Price, an ex-cocaine dealer whose quiet life unravels when one routine decision ends with an elite squad of ******* assins hired to kill her.
Unsurprisingly, the series is already drawing comparisons with the BBC's Killing Eve. The series shares a director (Damon Thomas), a dark, twisted humour and puts a fierce, quirky woman at its centre. But the strongest link may be the wardrobe.
Just as Villanelle's Molly Goddard tulle dress became a character in its own right, Jackie's wardrobe – built on an enticing mix of British designers, vintage and second-hand – is every bit as scene-stealing, and serves as inspiration for how we'll want to dress this autumn.
Jodie Comer as Villanelle wearing the memorable Molly Goddard tulle dress - Robert Viglasky/BBC

#goddard #kill #series

PARIS — Receiving an invitation to the theater from Christian Louboutin during Paris Fashion Week, one can be **** ured to be in for a treat. Through his "Loubi Show" format, the shoe guru has repeatedly shown a knack for conjuring loud spectacles and enlisting a vast array of talents to collaborate with — and the latest installation staged at Théâtre du Châtelet here on Friday was no exception. The designer called on no less than Dita Von Teese to present his spring 2027 collection, centered on celebrating his iconic La Pigalle pump. Named after the famous Parisian district and first introduced in 2004, the style has become a Louboutin signature with its sleek proportions expressing the sensuality embedded in the brand. A moment of the "Eternal Youth" show starring Dita Von Teese. Benjamin Malapris/Courtesy of Christian Louboutin To match the vibe, Louboutin asked Von Teese to do what she does best: seduce the audience with wit, in a performance that drew a packed guest list headlined by Cynthia Erivo, Elizabeth Debicki and Jaden Smith, who Louboutin tapped last year to become his first men's creative director roughly 15 years after he first expanded his red-soled universe into men's. Designers such as Jean-Paul Gaultier and Matières
Follow Footwear News on Twitter or become a fan on Facebook.

#christian #dita #receiving

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And just like that, the Spring/Summer 2027 season is coming to a close. Paris Fashion Week has officially begun, kicking off the fourth and final calendar of shows this September. Following New York City, London, and Milan, the French capital is welcoming a flurry of industry professionals and front-row stars alike, all eager to see what's next for our favorite designers.
The schedule started off strong on Monday, with a lineup that opened with 2026 LVMH Prize winner Julie Kegels and closed with avant-garde, industry-favorite Matières Fécales. Rihanna was spotted at the latter, making a grand, fashionably-late entrance in a gold tinsel two-piece, while fellow A-listers—Jennifer Lawrence, Tate McRae, Kendall Jenner with Jacob Elordi, Katie Holmes with Jason Bard Yarmosky, Alexa Chung, and Gabbriette—settled into their hotels and toasted the week ahead at parties and dinners galore.
On Tuesday, Jonathan Anderson sat the likes of Rosalía, Jennifer Lawrence, Anya Taylor-Joy, Cynthia Erivo, Greta Lee, Eileen Gu, Mia Goth, Ejae, and Karlie Kloss front row at his presentation for Christian Dior. Maison Margiela and Saint Laurent followed suit later that evening.
On Wednesday, the Row, Balmain, Dries Van Noten, Stella McCartney, Vaquera, Acne Studios, and Tom Ford welcomed more celebrity sightings, and as the week continues, so will Chloé, Balenciaga, Schiaparelli, Loewe, Givenchy, Victoria Beckham, Vivienne Westwood, Miu Miu, Valentino, Mugler, Jean Paul Gaultier, Chanel, and more. The season will wrap on Tuesday, October 6, with Louis Vuitton.

#jennifer #season #front

Black may be one of the safest colors in formal fashion, but the 2026 Venice Film Festival showed how unpredictable it can become in the right hands. Across premieres and ceremonies, stars embraced lace, velvet, satin, sculptural tailoring and elaborate draping. Instead of relying on color to create impact, designers used texture and silhouette to give each outfit a distinctive personality. Laura Dern, Susan Sarandon, Amal Clooney, Maggie Gyllenhaal and Rooney Mara all approached the classic shade differently. Together, their appearances demonstrated why black continues to have such staying power on major red carpets.
Laura Dern embraced intricate detailing for the premiere of Wild Horse Nine. Her sleeveless black Dior gown featured a V neckline, delicate lace and floral embroidery across the upper section. The design transitioned into a fuller shimmering skirt, giving the monochrome look depth through contrasting textures. Black Dior pumps maintained the restrained palette, while a Cartier necklace provided a polished finishing touch.
Susan Sarandon chose a more streamlined interpretation at the premiere of The Echo Chamber. Her black Fendi dress featured long sleeves and an off the shoulder neckline, with a fluid silhouette that followed the body without requiring elaborate embellishment. Statement jewelry, sunglasses and bright red lipstick added personality, demonstrating how accessories can completely change the mood of an otherwise minimalist black dress.
For the festival's opening ceremony, Amal Clooney turned to Tom Ford. Her floor length column gown used rippled fabric panels and subtle leather detailing to create movement and texture. Pointed pumps and a coordinating clutch continued the sleek approach. The result demonstrated how carefully constructed fabric can make a single color visually interesting without overwhelming the overall silhouette.
Maggie Gyllenhaal brought archival fashion into the conversation with an Armani Privé velvet gown originally created in 2015. The design combined sharply defined shoulders, long sleeves and a plunging embellished neckline. Its return more than a decade later also highlighted the growing red carpet practice of revisiting existing fashion rather than treating older couture as something that belongs permanently in an archive.

#susan

While high designers filled runways with odes to house codes and bids for the spring to come, A-list attendees held court in the front row this fashion month, with the over-50 crowd bringing their best beauty game.
From surprise bobs to a much-anticipated makeup (literally), the stars pulled out all the stops, pairing their luxury garb with glam that left a lasting impression. As another season winds down, WWD is looking back at the best hair and makeup moments from the latter half of Gen X.
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#stevie

Evereve, the women's fashion retailer based in Endina, Minn., has named style and creative director Sarah Clary as advisory chief creative officer.
In her advisory role, she will help shape Evereve's creative direction and brand storytelling, beginning with the company's fall campaign, "Jeans That Make Me Feel ____."
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#fashion

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Maybe it's a me thing, but I've been craving the thrill and suspense of an award show. Luckily, tonight is the 78th Primetime Emmy Awards, where NBC's Law & Order star Mariska Hargitay is hosting live from the Peacock Theater in Los Angeles. As a self-proclaimed binge-watcher, I'm all caught up on tonight's nominees, led by The Pitt with 25 nominations and Hacks at 24, breaking the record for a comedy series to date. But it's not just the potential winners getting buzz; it's the red carpet arrivals, too.
We're tuning in to see which designers tonight's attendees are wearing and get a glimpse of which trends will define 2027—or, in this case, which controversial trends. Shailene Woodley, who won her first Emmy Award for Outstanding Guest Actress in a Drama Series for her role in Hulu's Paradise last week, arrived on tonight's red carpet in a look from Pierpaolo Piccioli's Balenciaga F/W 26 haute couture collection.
The trend in question? Sequin-embroidered trousers. Woodley wore the divisive pants with their runway pairing, a plunging periwinkle tank, but traded the oversize coat for a pair of burgundy opera gloves. Woodley's stylist, Karla Welch, introduced more color with a beautiful collared necklace crafted from Venetian glass by HOWL. The flooded hem hides Woodley's, I ***** ume, very tall heels.

#emmy #woodley #trends

Amid a wealth of style choices at the 2026 Emmys, one color ruled above all: a bold crimson in its best look-at-me hue, seen on women happy to embrace its powerful psychology. From Cailee Spaeny in custom Miu Miu to Hassie Harrison in Monique Lhuillier, Rhea Seehorn in Louis Vuitton and Emmys host Mariska Hargitay in Monse on the red carpet, the choice was just the beginning of an evening that acquitted itself well on the style spectrum.
Among the more touching elements of the night's fashion conversations were the remembrances of legendary designer Bob Mackie, whose death in Palm Springs at the age of 87 was announced mere hours before the 78th Primetime Emmys kicked off at the Peacock Theater in downtown Los Angeles. During the pre-show, E! News host Keltie Knight took a moment to honor Mackie, calling him "one of the most prolific and celebrated costume designers of all time … [who] created some of the most iconic looks of all time for stars like Cher, Carol Burnett, Elton John, Diana Ross, Marilyn Monroe, Barbra Streisand, Dolly Parton and so many others. His impact on the world of fashion is really hard to put into words, and his legacy absolutely lives on." E! News finished the segment with a moment of silence and a black screen.
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#spaeny

Carol Burnett is remembering longtime costume designer Robert Gordon "Bob" Mackie.
The legendary comedic actress, in a statement to USA TODAY on Monday, Sept. 14, called the fashion icon a "genius."
"Sadness doesn't come close to how I feel. I loved him very much," she wrote. "As for his genius, there are fashion designers who don't do costumes and there are costume designers who don't do fashion. Bob did it all. There was no one like him."
Burnett, 93, and Mackie, who died Sept. 14 at age 87, were longtime collaborators, starting in 1967 with his work on "The Carol Burnett Show."

#fashion

The fashion and costume designer Bob Mackie, whose glittering creations have been worn by Cher, Dolly Parton, Tina Turner and Miley Cyrus, has died at age 87, according to his social accounts.
"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do," read a post on his Instagram account. "His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."
Mackie became known for his glamorous designs after collaborating with Cher, dressing her on television and on tour. He also served as the costume designer for "The Carol Burnett Show," responsible for Burnett's entire wardrobe. Nicknamed the Sultan of Sequins, the Rajah of Rhinestones and the Guru of Glitter, Mackie's ostentatious, flattering looks became instantly recognizable over the course of his career. His popularity continued into the modern day, with his archive coveted by a new generation of stars.
For his stage and screen work, Mackie has been awarded nine Emmys, an induction into the Television Academy Hall of Fame and three Academy Award nominations. In 1999, he received a retrospective at the Museum at FIT. More recently, he won a Tony Award for the musical "The Cher Show" and a lifetime achievement award by the Council of Fashion Designers of America.
Fern Mallis, former executive director of CFDA and founder of New York Fashion Week, credited him with many of the red carpet trends we continue to see today.

#costume #show #academy #television

Bob Mackie, the Emmy- and Tony-winning fashion and costume designer whose glittering creations helped define the images of Cher, Carol Burnett, Diana Ross and countless other entertainers, died Sept. 14, 2026, at age 87.
In a statement posted by his team, Mackie's representatives said he "lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer." Widely regarded as one of the most influential costume designers in entertainment history, Mackie left an indelible mark on television, music, Broadway and American pop culture.
Though celebrated worldwide, Mackie's story was deeply rooted in California.
Raised in Southern California, Mackie attended Chouinard Art School before launching his career in Hollywood. He began as a sketch artist at Paramount Pictures and later worked under legendary costume designer Edith Head, helping shape the golden era of studio filmmaking.
In recent years, Mackie made Palm Springs his home, moving to the desert in 2020. He became a familiar figure in the Coachella Valley arts community, participating in book signings, film festival events, and local cultural fundraisers.

#costume

How, after only a handful of years in the public eye, did Ayo Edebiri establish herself as one of the entertainment industry's most fashionable stars? We'd like to chalk it up to her magnetic presence in "The Bear," working with some of today's most imaginative designers, and, of course, delivering one remarkable look after another at premières and award shows.
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#first #abdul

As artificial intelligence matures, investors must decide between the high-growth niche players and the foundational giants. Choosing between Astera Labs Inc (NASDAQ:ALAB) and Taiwan Semiconductor Manufacturing Co (NYSE:TSM) involves weighing explosive potential against established dominance.
Astera Labs provides the critical connectivity infrastructure that allows AI chips to communicate within data centers. Meanwhile, Taiwan Semiconductor Manufacturing operates as the world's largest dedicated chip foundry, producing the actual processors for almost every major tech firm. Both companies are central to the future of semiconductor stocks.
Astera Labs specializes in connectivity solutions designed to remove bottlenecks in high-performance data centers. The company sells hardware and software that helps AI accelerators, such as those made by major chip designers, communicate efficiently across servers. Its customer base is highly concentrated, primarily consisting of the largest cloud providers and system manufacturers. In 2025, one end customer accounted for over 70% of total revenue. Customer concentration like this adds a layer of risk to the business.
In FY 2025, revenue reached more than $852.5 million, representing an impressive increase of roughly 115% compared to the prior year. This rapid growth helped the company pivot from a loss in previous years to a net income of approximately $219 million. The net margin, which measures how much of each dollar of sales remains as profit, stood at nearly 26%. This trajectory highlights the surging demand for the specialized connectivity chips required for large-scale AI deployments.
As of its December 2025 balance sheet, the company reported a debt-to-equity ratio of 0.0x, indicating it holds no debt relative to its shareholder equity. Its so-called current ratio, which compares short-term ******* ets to short-term liabilities, was a robust 10.2x. Free cash flow, or the cash left over after paying for operations and equipment, was approximately $282 million. Note that stock-based compensation represented roughly 50% of operating cash flow, which inflates reported cash generation since this is a non-cash expense added back in the cash flow statement.

#company

NEW YORK – Ready or not, here she comes.
Just when you think you know Tory Burch's next move, she subverts expectations and continues her reign as one of the most interesting American designers today.
The designer brought out a cadre of stars for her New York Fashion Week show Thursday, Sept. 10, at the Sunken Garden by Isamu Noguchi in downtown Manhattan. Though far from an underground designer, Burch took her show to subterranean levels before she reached new heights with her collection and her front row, which included a fashionably timely Lauryn Hill, flanked by daughter Sara Marley and niece Kymora Marley, as well as actress Amanda Seyfried, "Saturday Night Live" alum Chloe Fineman and fashion power broker Anna Wintour.
Alex Eala, the young newcomer who dominated at the US Open until her defeat by best friend and fellow young star Iva Jovic, also joined along with emerging talent Ravyn Lenae and established celebrities like Padma Lakshmi and director Janicza Bravo.
Hill, in oversized sunglasses and an olive-green cinched top and tiered skirt with a silk scarf draped delicately over her head, garnered camera flashes from every angle. Perched atop her lap (and on the arms of everyone in the front row) was Burch's newly released Bunny Knot bag, with Hill's in a ****** er yellow color with the dark knot detailing looking like polka dots.

#front

Beating the heat during New York Fashion Week is always a challenge. But that didn't stop a star-studded group of attendees from making their way and packing Net-a-porter's Incredible Women ******* tail party.
The event drew a crowd including Cindy Crawford, Serena Williams, Katie Holmes, Emmy Rossum, Nara Smith, Madeline Brewer and Aurora James, who made an entrance, alongside designers Willy Chavarria, Wes Gordon and Christopher John Rogers.
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#crawford #williams

Liris Crosse booked five shows during the 2026 New York Fashion Week after speaking out against being dressed in a garbage bag on Project Runway
One of the designers she's modeling for is Christian Siriano
"It almost feels like a Cinderella story because I've gone through so much within this industry," she tells PEOPLE of her big moment
Liris Crosse is dominating the fashion world.
The model, 47, booked five shows during the 2026 New York Fashion Week after speaking out against being dressed in a garbage bag on Project Runway.

#fashion #five

Adobe Inc. (NASDAQ:ADBE) is asking designers who use Figma, Inc. (NYSE:FIG) and similar tools to help test Project Oasis, a web-based graphic-design tool with brand-aware AI. The September 7 community invitation seeks feedback under a nondisclosure agreement before public launch. That makes it an early competitive signal, with neither customer wins nor meaningful revenue established.
The investment question is whether easier AI design draws marketing budgets toward Adobe or encourages customers to do more inside Figma. Both already serve people creating branded visual material. Winning that workflow could support subscriptions and paid AI usage, but another tool also gives customers another reason to compare prices.
Copyright: photogearch / 123RF Stock Photo
Adobe Inc. (NASDAQ:ADBE) reported fiscal second-quarter revenue of $6.62 billion, up 13%, for the period ended May 29. Its AI-first annualized recurring revenue exceeded $500 million and more than tripled year over year. Those figures give its AI strategy substance beyond a product invitation. Its established creative customer base could also make testing and distribution easier.
The risk is that product experimentation fails to produce additional spending. Adobe must persuade customers that new capabilities deserve payment while competitors make basic ******* et creation easier. Oasis currently provides no disclosed conversion rate or financial contribution with which investors can test that proposition. Its invitation targets brand-identity and marketing workflows, so success would need to solve repeatable production problems. Generating an attractive demonstration is a different hurdle from becoming the tool a team pays to use every week.

#tool #easier

Two princesses are rewriting the rules on what a future queen is supposed to look like — and the story is told entirely with their jewelry boxes. Spain's Princess Leonor and the Netherlands' Princess Amalia are both heirs apparent, both members of the same Gen Z cohort now stepping into royal life, and both destined, eventually, for a crown. But side by side, they could not be telling more different stories with their jewelry.
Princess Leonor completes her college outfit with a roomy black leather bag that balances style and practicality. (@ Europa Press via Getty Images)
Diamonds have always carried outsized meaning in royal circles — treasured by some dynasties, quietly set aside by others, but historically the clearest marker of status that Europe's reigning houses had at their disposal.
That symbolism is fracturing along generational lines. As Gen Z heirs move into the spotlight, the old formula of grand dynastic jewels signaling status is splitting in two: one path toward deliberate restraint, the other toward unapologetic opulence.
Leonor has planted her flag firmly in the first camp, favoring costume pieces, pearls and low-key designers over anything resembling a vault heirloom. Amalia has done the opposite, reaching for the Orange-Nassau family's most formidable pieces when the occasion calls for it.

#princess #royal #status

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New York Fashion Week is here again! From September 10 through September 15, the city's biggest designers will unveil their Spring/Summer 2027 collections, and the action-packed week will be followed, as per tradition, by shows taking place in London, Milan, and Paris.
Over the past few years, some designers have chosen to start the festivities a bit early, and the same was true this season, with houses like Ralph Lauren, Cult Gaia, and Rachel Comey all showing their collections ahead of the official CFDA calendar.
And while the schedule may be stretching, so is the map of show locations. This year, presentations will take fashion fans across the greater NYC metropolitan area, with Collina Strada hosting its show at Storm King Art Center in New Windsor, New York, while threeASFOUR will present its show at the Mana Contemporary center in Jersey City.
This year also features a few exciting debuts, like Connor Ives, who is showing in his home country for the first time ever, in a switch from his usual slot during London Fashion Week. Yesterday also saw Henry Zankov present his debut collection for Diane von Furstenberg, where he took over as artistic director this past May.

#fashion

Andvari ****** ociates, an investment management firm, released its second-quarter 2026 investor letter. The letter can be downloaded here. Andvari's portfolio has performed strongly in the quarter, highlighted by Constellation Software's 19.9% revenue growth and its plans to spend on acquisitions in 2026. The company is also focusing on AI tools to enhance productivity and customer relationships. However, the AI sector is experiencing extreme hype, leading to a growing disconnect between valuations and future cash flows. Predictions suggest the AI investment phase may decline in 1-3 years, despite current high demand for AI infrastructure, which is expected to attract significant competition. Concerns about overbuilding and risky financial behaviors, like Oracle's downgraded credit rating amid a $90-$95 billion AI cloud investment, reflect potential pitfalls. Andvari has minimized exposure to this sector, aiming to protect and grow ****** ets through disciplined investments in stable industries despite recent underperformance during the AI boom. Also, check the fund's top five holdings to see its best picks in 2026.
In its second-quarter 2026 investor letter, Andvari ****** ociates highlighted Texas Instruments Incorporated (NASDAQ:TXN), a semiconductor manufacturer providing chips and solutions for electronics designers and manufacturers. On September 02, 2026, Texas Instruments Incorporated (NASDAQ:TXN) closed at $254.80 per share. Over the past month, Texas Instruments Incorporated (NASDAQ:TXN) fell 8.48%, while its shares gained 36.05% over the past 52 weeks. Texas Instruments Incorporated (NASDAQ:TXN) has a market capitalization of $232.7 billion.
Andvari ****** ociates stated the following regarding Texas Instruments Incorporated (NASDAQ:TXN) in its Q2 2026 investor letter:
"I also added Texas Instruments Incorporated (NASDAQ:TXN), which makes ****** og and power management chips. Texas Instruments and Martin Marietta might be getting a nice temporary ****** p in profits and revenues from helping build out AI infrastructure, but AI and data center-related revenues are by no means the majority of revenues for either of these two companies."
Texas Instruments Incorporated (NASDAQ:TXN) is not on our list of 40 Most Popular Stocks Among Hedge Funds Heading Into 2026. According to our database, 111 hedge fund portfolios held Texas Instruments Incorporated (NASDAQ:TXN) at the end of the second quarter, up from 71 in the previous quarter. While we acknowledge the potential of Texas Instruments Incorporated (NASDAQ:TXN) as an investment, we believe certain AI stocks offer greater upside potential and carry less downside risk. If you're looking for an extremely undervalued AI stock that also stands to benefit significantly from Trump-era tariffs and the onshoring trend, see our free report on the best short-term AI stock.

#andvari

Julia Fox has become a fashion week fixture, attending many shows in support of a range of designers through the years, and even walking on a handful of runways. She's a regular supporter of Marc Jacobs, and has on several occasions embraced his out-of-the-box footwear creations, from sculptural platforms to elongated pumps. Below, find these shoe moments and more wild footwear looks from Fox's past fashion month looks.
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#julia #martens

Travis Kelce told WWD that it's hard to find clothes in his 2XL size, but working with bigger-name designers has "definitely made things easier"
The NFL pro stars in Tommy Hilfiger's fall 2026 campaign
In an interview with Vogue, Kelce also gushed about his wife Taylor Swift's "effortless" style
Even when you're Travis Kelce, shopping isn't always easy.
In an interview with WWD, the Kansas City Chiefs tight end, 36, opened up about working with bigger designers as his career has progressed — and the challenges of finding clothes in his size.

#kelce #working #designers #interview

Ariana Madix, who had been hosting Love Island USA since 2024, has revealed that putting up stunning fashionable appearances requires a lot of behind-the-scenes work.
The Vanderpump Rules alum said that designers are hesitant to loan their outfits to reality TV.
According to People, Madix said that it is "difficult to convince" designers to lend their outfits for her wardrobe. Speaking on Marie Clair's Nice Talk podcast, Madix described that designers may not comply with her attempts to create a viral look for the show.
"It actually is difficult sometimes to convince fashion houses or designers that wearing the look will actually be a moment," Madix said in the Aug. 27 interview. She added, "I think there's some hesitation sometimes with fashion where they think, 'We don't want to loan a reality show,' and we have to say, 'Trust me, it's gonna look great, it's gonna go far."
Madix joined the television franchise in 2024 and has since then left no stone unturned to dish out spectacular looks. This, along with her signature slow entry walk, has made her a fan favorite. Despite the success, Madix still struggles to translate her fashionable vision into reality when her favorite designers do not cooperate.

#madix #Reality #fashionable #outfits

Emma Thynn, Marchioness of Bath, has built a public life that stretches far beyond her aristocratic ****** le. Born Emma Claire McQuiston, she became the Marchioness of Bath after marrying Ceawlin Thynn, the 8th Marquess of Bath. Raised around British high society, Emma developed interests in art, performance and culture from an early age. She later studied art history at University College London and trained in classical acting at the London Academy of Music and Dramatic Art before pursuing a different creative path.
Food eventually became one of her major passions. At Longleat, the historic estate ****** ociated with the Thynn family, Emma created her food and lifestyle project Emma's Kitchen. Her cooking content includes everything from pancakes to homemade dishes inspired by life at the estate. The project allows her to combine hospitality, family traditions and creativity, showing a more relaxed side of life that contrasts with the formal events and glamorous appearances often ****** ociated with aristocracy.
Emma is also involved in charitable work and has supported Tusk, an organization dedicated to wildlife conservation across Africa. Her public profile has allowed her to draw attention to conservation while balancing responsibilities connected with family, fashion and Longleat. That variety is a major part of her appeal. One day may involve cooking or supporting a charitable cause, while another can place her in front of photographers at an international event.
Fashion remains another important part of Emma's career. She has attended the Cannes Film Festival, worked with luxury jeweler Chopard and appeared in elaborate gowns and jewelry on major red carpets. Emma has also walked in fashion shows for designers including Dolce & Gabbana and Celia Kritharioti. Her relationship with fashion has extended into ambassador and editorial work, allowing her to experience the industry from more than one perspective. Whether attending a premiere or stepping onto a runway, she appears comfortable treating clothing as another form of creative expression.
From aristocratic events and conservation projects to cooking and international fashion, Emma Thynn has created a career that refuses to fit neatly into one category. Her life at Longleat provides a traditional backdrop, but her interests have taken her into food, publishing, modeling and philanthropy. Rather than relying solely on her ****** le, she has developed a public identity built around creativity and variety, making an ordinary day in the life of the Marchioness of Bath surprisingly difficult to define.

#bath #fashion #major

A shoe named after Dolly Parton simply had to be a stiletto — or at least have a high heel. It was no secret that Parton was a fan of sky-high footwear. Christian Louboutin took the country singer's preference for towering heels seriously, naming a family of pumps, mules and platform heels for his friend and longtime muse.
Parton passed away at the age of 80 on Aug. 25, 2026, following a battle with cancer. Not even a day later, Louboutin took to Instagram to mourn the loss, saying that he considered the "Jolene" singer to be "a true friend, a partner in sweet crimes and laughs and ALWAYS a complete inspiration." The Dolly family of Louboutin shoes has followed suit: there are the round-toe Dolly 85 pumps, the peep-toe Me Dolly mules and towering Dolly Alta platforms that are made for more than a "9 to 5" type of day.
More from WWD
Inside the FN Archive: Dolly Parton's Legendary Shoes and the Bespoke Designers Who Made Them
Céline Dion Delivers a Parisian-inspired Fall Look Starring Dramatic Alaïa Cutout Boots

#parton #louboutin #family

Sometimes the most memorable part of an outfit is hidden underneath. Designers have increasingly used contrasting linings to introduce unexpected flashes of color, transforming capes, coats, gowns and dramatic trains whenever they move. From Cate Blanchett to Anne Hathaway, several stars have demonstrated how a carefully chosen interior shade can turn an elegant red carpet look into something far more surprising.
Cate Blanchett delivered a memorable example at the 2024 Cannes Film Festival premiere of The Apprentice. Her custom Haider Ackermann for Jean Paul Gaultier strapless creation appeared predominantly black from the front, but revealed contrasting shades from other angles. A blush pink back and emerald green lining emerged as Blanchett lifted the train, giving the sophisticated design an unexpected injection of color.
Brie Larson used the same idea for superhero glamour at the London premiere of Captain Marvel. Her vivid blue Valentino gown featured an off the shoulder neckline, sculpted bodice and flowing cape. Hidden inside that cape was a shimmering gold lining, creating a dramatic metallic flash whenever the fabric moved. Nicole Kidman took a bolder approach at the New York premiere of Expats, where her sleek black Versace gown revealed a vivid lime green interior through its dramatic thigh high slit.
Helen Mirren offered a softer interpretation at the 2024 Golden Globes. Wearing Dolce & Gabbana, she paired an elegant lavender gown with a matching coat featuring voluminous sleeves. The coat's pink interior became visible as it opened, introducing another pastel shade while maintaining the sophistication of the overall look. Instead of competing with the lavender exterior, the contrasting lining gave the ensemble additional depth.
Anne Hathaway also embraced the technique with a playful maternity look at the Los Angeles premiere of The Last Thing He Wanted. Her custom Prabal Gurung ensemble centered on a blue satin high low top with a striking red interior. Paired with relaxed jeans and pointed red shoes, the contrasting colors framed her silhouette while bringing an unconventional energy to maternity dressing.

#contrasting #blanchett #look #cate

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The little black dress, or LBD as it's colloquially called, may be a well-established garment in fashion history, but designers are still finding new ways to reinvent the classic look.
Case in point: When Adria Arjona hit the red carpet for the Los Angeles premiere of her new slasher film, Onslaught, on Wednesday evening, the actor and model stole the show thanks to her sleek black dress from Calvin Klein Collection, which breathed new life into the design.
Adria Arjona walks the red carpet at the Los Angeles premiere of Onslaught.Axelle/Bauer-Griffin - Getty Images
Arjona's dress was pulled from the house's Fall/Winter 2026 line by Veronica Leoni. It was constructed with a satin-like fabric, in a wrap design that hugged Arjona's body. A seam ran down the front and created a slight slit at the bottom of the skirt, allowing one of the actor's pointy black pumps to peek through.

#angeles